We sit in the function room of a central London pub. Downstairs a buzzy crowd is watching the rugby world cup, Wales vs. South Africa, to be precise. Occasional shrieks of excitement carry up the stairs. A whistle blows. There are distant sounds of heckling. Nothing more frustrating to a keen audience than a halt in pace.
And there we are upstairs discussing just that. How can we, as writers, avoid interrupting the pace in our plot as we flesh out a narrative? We were fortunate enough during the last in this year’s SCBWI Masterclass series, to be able to drink in Beverley Birch’s wisdom on this topic, as well as many others. Having worked for many years as a commissioning editor for Hodder Children’s Books and written upwards of 50 books herself, she undoubtedly has this skill pinned down tighter than a rugby player’s shorts and she imparted to us some of her successful techniques for evading the dreaded halt in action. Among them; be efficient in your writing – make each word count. Be strategic in your use of tense and don’t settle for weak adjectives.
|Some of Beverley|
She also encouraged us to find devices which allow you to convey actions and transmit character, rather than letting that pesky narrative voice to hijack the page. ‘Devices?’ I pondered ‘What devices?’
'Think of a camera,' explained Beverley. ’It can swoop in, out, up, down and back again, each angle allowing the writer to consider another point of view.’ As the noise of the match began to peak downstairs, I thought of the crowd , themselves the fortunate beneficiaries of a multi-angle conveyance of the action (courtesy of ITV.)
Beverley encouraged us to further explore this idea by setting us the task of writing a passage from different viewpoints ; first in our preferred style (first person or third person), then challenging us to explore the alternatives, keeping at front of mind some of the things we had discussed earlier. Afterwards, we reflected on our writing and discussed what we had learned. You can’t guarantee much in life, but what you can guarantee about a SCBWI event (aside from it being immaculately organised – huge thanks to all involved) is that it will be ripe with thoughtful and diverse ideas. How ironic that there were dozens of points of view on ‘what exactly is a point of view’. One thing we did find consensus on was that the experience was one of enriching self-exploration and discovery.
|Scrumming down for some |
It was an uplifting and energising way to finish and a practical one at that.
As we packed away our newly fortified notebooks, we were invited to check out other organisations that can support us writers on our journeys including the pioneering Golden Egg Academy, an organisation focussing on mentoring and structural editing for promising authors, and the Children’s Writers and Illustrators in South London network, both of which Beverley is involved with and supports.
The session drew to a close and so did the match . I braced myself for my descent down to the bar; as a Wales supporter the silence didn’t bode well. And indeed Wales had lost. They were out of the cup. But even with my national pride somewhat dented, I stepped out of the pub elated. What better way to spend an afternoon than immersing yourself in the company of truly inspiring individuals, learning from a master, tuning your craft? And I managed to fit in a cheeky glass of wine, too!