WRITING Critiques: the pros and cons (part 1)
Does receiving critique on your work turn you into a hamster in a wheel, unable to stop and get off the circle of doom or does it turn you into a bird, making the wind beneath your wings stronger, elevating your work? Words & Pictures Editor Gulfem Wormald shares her own and other writers' experience.
One of the (anonymous) writers I talked to, a former teacher of 20 years, said that they developed a thick skin for their work being critiqued thanks to years of people sitting at the back of their class and pulling their lessons apart. They believe this was a great preparation for having their writing critiqued.
"I don't want to hear that my work is fantastic and wonderful and amazing," they say. "I know it isn't and I know I can always improve it. If I receive my piece of work back without much criticism, I am annoyed. How can I make progress if it isn't signposted?"
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Rewriting in progress |
They told me that while honest criticism is often necessary to improve as a writer, having 'positive' like-minded people in your corner is just as important, if not more so. I couldn’t agree more!
Another member says they envy some groups; for example, Anne Whitford Paul has been in the same one for 40 years. Jim Averbeck: same one for 20 years. Whereas they have jumped around and are currently not in any critique group. In actual fact, they went through critique groups like damp flannels in a heat wave.
It just takes one person to upset the dynamics of a groupThey have been in ones which have dissolved because of one person. They felt it became a chore once a month to have to give feedback to one person whose standard of work wasn’t the same as the rest of the group. Eventually people started posting less and less until finally it just fizzled out.
They add: “I was in a picture book critique group where one person, who was a very talented writer, was particularly harsh with their critiquing and upset various members causing them to leave, sometimes in tears. Eventually it became untenable and the group dissolved. It just takes one person to upset the dynamics of a group.”
Another group they were in, where several writers were agented and/or published left them feeling slightly intimidated. "They kept giving line by line critiques, which made me completely stall with my WIP. I suppose I wasn’t clear because at the time I thought editing was going straight into micro-editing! Now I’ve learnt after many, many years to start with the macro – the bigger picture. So the advice I’d give (which I wish I listened to!) is to say what you want, ie make it clear if you want overall impressions only."
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Post-critique editing |
I paid a lot of money for a two-day picture book writing course once. We focused on writing a story on the first day and read it out loud to a panel of a publisher, an illustrator and the course tutor as well as the rest of the course delegates. It was nerve-wracking. I ended up with a migraine because I felt so vulnerable and nervous. I read out what I now realise was a rubbish story. It was rhyming and I made a real dog’s dinner of the rhyme.
The only way to survive the critique process is to treat it like a Christmas present; accept it with gratitude but remember, it is your choice whether to use it or declare it unwanted
How come three people gave such different feedback on the same piece of work? That is when I realised, the only way to survive the critique process is to treat it like a Christmas present; accept it with gratitude but remember, it is your choice whether to use it or declare it unwanted and chuck it away. Otherwise you will have to deal with a lot of clutter.
* Header image and photos by Tita Berredo
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Twitter: @GulfemWormald
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