FEATURED ILLUSTRATOR Rekha Salin
As a child, I drew all the time, I don't really remember when, but I have always drawn and did watercolours all my life until I got to higher grades and academics took over. My school notebooks and textbooks were always covered in art, especially if the class was boring.
What started as filling my time, art soon became a passion and obsession for me. It was like a child finding her toy that she was searching for, for so long and suddenly it just magically appeared, just there right before her. It was acrylics that I started with. And I painted fine art for almost 5 years before I shifted to illustration. I still teach art to kids and adults, I love it, and helps me to keep learning.
My work is influenced a lot by Mary Blair, Eyvind Earle, Miroslav Sasek and Aurelius Battaglia. In the current-day illustrators, I love the work of Jon Klassen, Rebecca Green, Joey Chou, Chris Chatterton, and Jim Field. I have lived all my life in cities with tall buildings, bustling vehicles, and busy streets. Drawing nature, florals, and jungles are my way of bridging this gap. It felt fulfilling to create that missing puzzle in my life. Also, what inspires me the most is the life around me. I love to draw childhood memories, people on the streets, at the market, how kids sit at a desk, food on the table, and everyday life.
I work both traditionally and digitally. I spend daily a minimum of 30mins in my sketchbooks, this is my playing time. I draw sometimes without any plan. I open my pictures on my mobile or Pinterest and draw what catches my eye. But I use my sketchbooks a lot when I start illustration and especially when I start a new project. I think in images, words don't come naturally to me. So as I read the text, I have images flashing through my mind which I capture in my sketchbooks. These are very initial and I do a lot of doodling and thumb-nailing to come up with.
However, I don't take my sketches or layouts and bring them in digitally. Digitally, I start from ground zero. I plan and play a lot traditionally, leave them there and start all over again digitally. It's a lot of fun. I enjoy the freedom the digital media gives me, I can play with colour palettes, move stuff around, and above all, it's a lot easier to make changes.
I have three books published as an illustrator. Two picture books - one in 2020 and the other in 2022 - and a recipe book (for adults) in 2022 published by ABV publisher. I am currently working on a very beautiful text with Gnome Road Publishing and will be out in 2024 and have some very exciting projects in the pipeline that I cannot spill the beans of yet.
I love to work on texts that have strong characters, nature, lots of dreams, magic, and being positive. What I don't enjoy working on is horror, don't think my weak heart is cut for it. If you want me to do a horror text, then please be prepared to get a horror told in a cute and lovely style.
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