Network News: North-West – Workshop and Critique Session
Wooden panels, writers and Steve. |
By Gill James
We were very privileged to be able to use a room at the beautiful
John Rylands library, Deansgate, Manchester. There is something quite appropriate
about a group of writers working surrounded by wooden panels and old books.
The deal was that we would use their café for lunch. This worked well and they managed to serve us
relatively quickly. The food is delicious there. So a great place to visit if
you are in Manchester.
And this is a great model for finding a place to host an
event. Win / win for everyone. The venue gets a solid group of captive
customers. The delegates only have to pay for lunch.
Workshop with Steve Hartley
Steve, now a successful published author, is a long term SCBWI
member and kindly offered us this workshop. He appeared in the first Undiscovered Voices in 2008. Some of the
insights into psychology he shared with us came from his previous day job.
Harmony / disharmony
We looked at how stories move their protagonists from a position
of harmony to disharmony and back to harmony. The divide between that harmony
and disharmony, particularly in the young adult, is often to do with identity
and indeed more often than not the basic theme in a young adult novel is about the
young person finding their identity.
Eating chocolate in a group
Groups
Steve also took us through how groups work. “We are right,
you are wrong” is the group mantra. Groups like to do things together. Just think
of the power, for instance of “eating chocolate in a group”.
The joy of note-taking |
Three brains
We have three brains, Steve informed us: the reptilian one that
looks after all of the motor and automatic functions, the emotional brain and
the rational reasoning one. Our characters must use all three.
Basic motivators
These drive the subconscious: fear (and security), leisure,
pleasure, value and status. Of course, we can populate these with the
individual concerns of our characters, but they fit into those categories.
This, of course, only gives a flavour of what Steve offered
us. We really recommend him for this type of workshop. Certainly, we were all buzzing with ideas as
we moved towards “eating lunch in a group”.
Critique Groups
After lunch we divided into critique groups – picture book,
middle grade and young adult. Five to six people in each group shared work that
had been emailed out in advance. I think everyone appreciated having focussed
groups and gained a lot from sharing work with like-minded people. The groups
are about the right size and if we chose to continue, we may have to declare
them full. This seems quite a healthy position for a first meeting. Of course, there
is nothing to stop new groups forming and also having some cross-referencing
between groups.
Busy critiquing |
Networking
Always important and always one of the main benefits of hooking
up with your local network. It was really great getting to know some new people
over lunch. The John Rylands offered us tea and coffee at the end of our day
and there was more time for chat.
Good stuff going on in the north-west, then.
____________________________________________________
Gill James writes mainly for young adults. Her latest novel is The House on Schellberg Street. She is a Senior Lecturer in Creative Writing at the University of Salford.
Thanks Gill. I am sure others will find the insights Steve gave us extremely useful x
ReplyDeleteBrilliant to read, Gill. Thank you. It's inspiring to see such a large gathering of enthusiastic SCBWIs
ReplyDelete