PICTURE BOOK FOCUS Endings That Come Full Circle
Experienced editor Natascha Biebow shares tips on how to make your picture-book endings stand out and shine.
When crafting picture books it’s important to start right away with a compelling opening that grabs young readers with action, HOOKS them in and doesn’t let go. Having piqued their curiosity and set up the problem (Who? What? Where?), the reader is ready for a journey, an adventure in story.
But what about endings? Endings that stay with you must be satisfying (resolving the Who? What? Where? questions set out in the opening), but more than this, the characters should have grown and changed as a result of the story's action.
Endings that stay with you must:
- resolve the problem, and ideally the main character should be the one to solve it.
- the main character needs to have changed meaningfully in some way
- tie up any loose ends, and ideally offer readers hope, even if the ending itself isn’t happy
Avoid: predictable outcomes, moralistic messaging or convenient solutions to your problem – these are unsatisfying.
Here’s the big tip:
Often, the most satisfying endings come full-circle to the opening.
In Laura Numeroff & Felicia Bond’s classic If You Give a Mouse a Cookie,
From If You Give a Mouse a Cookie by Laura Numeroff & Felicia Bond |
This leads to him asking for a glass of milk (to go with the cookie)
and a story where each interconnected action leads to the mouse needing another thing (he’ll look in the mirror and see his milk moustache and then need a pair of scissors to give himself a trim...) until ... he is so thirsty after all his adventures that he needs...a glass of milk and of course...
The mouse’s adventures are cleverly interlinked and a satisfying return at the END OF THE STORY to the BEGINNING (but now, the mouse and the boy have shared a whole day of experiences and a friendship has grown), resulting in a heartwarming and satisfying ending scene.From If You Give a Mouse a Cookie by Laura Numeroff & Felicia Bond |
Thomas Jefferson Builds a Library, by Barb Rosenstock and John O’Brien, is a chronicle of President Thomas Jefferson’s passion for books and the story of how his historic and bountiful library formed the basis for the Library of Congress collection.
The story begins with the child.
‘Thomas Jefferson learned to read. And then he never stopped....Before he turned six, people said he’d read every book in his father’s library.’
‘...Like Thomas Jefferson, you are a reader, too. He’d like that.’
From Thomas Jefferson Builds a Library by Barb Rosenstock and John O’Brien |
Confiscated! by Suzanne Kaufman is a delightfully simple narrative of sibling rivalry – Brooks and Mikey are constantly fighting over their toys, so Mum confiscates the troublesome objects.
Subsequently, since Brooks and Mikey fight over everything else, eventually everything is locked up in the cupboard. Spurred on by boredom, the children decide to build a giant tower together, to re-confiscated their red balloon. When Mum catches them in the act, they ask:
“Is it confiscated?”
Confiscated! by Suzanne Kaufman |
Confiscated! by Suzanne Kaufman |
At the START of That Rabbit Belongs to Emily Brown, by Cressida Cowell and Neal Layton,
The book’s ENDING features a spread very similar to the OPENING: once again Emily Brown and Stanley are off on an adventure, when they are interrupted with a ‘Rat-a-tat-tat! at the kitchen door’.
But, this time, it’s simply the Queen sending a thank-you note – a lesson has been learned and Emily Brown is a heroine.
In Owl Babies, by Martin Waddell and Patrick Benson, the book starts and ends in the owls’ nest.
As the story unfolds, the three owlets struggle to reconcile their anxiety as they wake up one night and Mum is GONE! Has she gone out hunting? Will she come back? Bill misses his mummy!
By the END of the book, the owlets are reunited with Mum, who is unfazed:From Owl Babies by Martin Waddell and Patrick Benson |
‘What’s all the fuss? You knew I’d come back.’
The illustrator cleverly shows their affectionate bond, by zooming in on the happy reunion, but the composition evokes the opening scene.
The OPENING in And Tango Makes Three, by Justin Richardson, Peter Parnell and Henry Cole,
moves from the general (big) to the specific – New York City, to a big park called Central Park, to the zoo, to the animals that live there...
From And Tango Makes Three by Justin Richardson, Peter Parnell and Henry Cole |
From And Tango Makes Three by Justin Richardson, Peter Parnell and Henry Cole |
At the END of the book, it’s nighttime, the three penguins are snuggled together in their nest. Now, the author goes from the specific to the general (big): the three penguins snuggled together, like all the other penguins, like all the other animals in the zoo, like all the other families in the big city around them.
The book STARTS and ENDS with families, hooking in the reader with an emotional hook – about the importance of family.From And Tango Makes Three by Justin Richardson, Peter Parnell and Henry Cole |
Here are two examples of how bookending idea also works in concept books:
In One Thing, by Lauren Child, Mum says Charlie and Lola can choose one thing each from the shops as a treat,
From One Thing by Lauren Child |
After some deliberation, Lola chooses one thing— a pack of twelve stickers — which she sticks on everything on the way home, so that by the time she gets there, she has NONE. The book ENDS back at the BEGINNING, with Charlie kindly giving one thing to Lola (one of his stickers).
Through the trajectory of the story, young readers will have had the opportunity to explore the concept of one thing (and multiple things) and, by the END of the story, recognize the gift of having one thing.
The Family Book, by Todd Parr, OPENS with ‘Some families...’
From One Thing by Lauren Child |
The Family Book, by Todd Parr, OPENS with ‘Some families...’
‘Some families are big. Some families are small.’
Lots of other examples of different kids of families follow and the concepts are presented in a rhythmical read-aloud that BUILDS TO AN ENDING that encompasses ‘All families’:
‘All families can help each other be STRONG!’
‘There are lots of different ways to be a family. Your family is special no matter what kind it is.’
The cumulative examples in Todd Parr's book have built to an ending that is more than the sum of its parts.
Making your ENDING come full circle to the OPENING will give your story greater depth and be the difference between a reader turning the final page and thinking ‘So what?’ to one coming back for more of that delicious taste. Don't be the picture-book dinner without dessert!
The cumulative examples in Todd Parr's book have built to an ending that is more than the sum of its parts.
Making your ENDING come full circle to the OPENING will give your story greater depth and be the difference between a reader turning the final page and thinking ‘So what?’ to one coming back for more of that delicious taste. Don't be the picture-book dinner without dessert!
Natascha Biebow is an experienced editor, mentor and coach, who loves working with authors and illustrators at all levels to help them to shape their stories. www.blueelephantstoryshaping.com
She is the author of the award-winning The Crayon Man: The True Story of the Invention of Crayola Crayons
Picture credits: Animals Baking: by kind permission of Lizzie Finlay
Natascha Biebow is an experienced editor, mentor and coach, who loves working with authors and illustrators at all levels to help them to shape their stories. www.blueelephantstoryshaping.com
She is the author of the award-winning The Crayon Man: The True Story of the Invention of Crayola Crayons
Picture credits: Animals Baking: by kind permission of Lizzie Finlay
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